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The intuitive design meets the demands for a high quality but cost effective solution.
The SteadyFrame Scanner is mainly designed for archive scanning, for scanning great quantities in short time at a high quality without harming the film material. Also it can been easily used for daily post operating.
The design and materials used are durable and robust, to guarantee stability in quality and workflow at the same time as careful processing of older film stock.
The SteadyFrame scanner is dependable and simple to use, so there
is no skilled operator needed and labour costs can be reduced.
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- Careful handling of archive film |
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- Sprocket-free film transport system |
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- Software based pin-less image steadiness |
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- PRS™ Perforation Recognition System |
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- Designed for universal format scanning |
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- High quality capturing unit |
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- Up to 2K resolution |
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- Various output formats |
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- Best price - performance ratio |
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- Upgradeable, modular design |
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- Prepared for realtime scanning |
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- Easy and intuitive user interface |
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Handling |
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| The intuitive design of the graphical user interface enables to quickly understand how to operate this tool.
The touchscreen interface is easy to access at the front of the
scanner housing, so all menus lay as close as a fingertip. During
scanning the preview can be switched to a full screen mode. |
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Film Transport System |
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| The mechanical film transport is developed by Kinoton. Kinoton is
the leading source in handling film in projectors and is a specialist
for studio projectors.
The film transport system of the Universal Format Scanner is
designed for an easy exchange between 35 mm and 16 mm film
scanning.
Obviously the film transport is already designed for 25 fps. |
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Software Based Image Stabilisation |
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The heart of the SteadyFrame Universal Format Scanner is the PRS™
(Perforation Recognition System). Together with specialists from the
University of Applied Sciences Munich, P+S Technik developed the
software based image stabilization.
The replacement of mechanical image stabilisation modules provides
several important advantages: |
| - Careful handling of archive film (sprocket-free transport) |
- The handling of different perforation patterns
e.g. 3perf or 2perf, perforation types and pitches (e.g. BH, KS, CS1870) and film formats (e.g. positive, negative and intermediate)
are hardware independent. Therefore the necessary change of the
setup in order to scan different types of film is reduced to a simple
update of settings |
- The applied pattern recognition algorithms
enable an uncomplicated, retroactive implementation of currently unknown film formats, perforation patterns and types or aspect
ratios. |
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Capturing Unit |
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| The exchangeble capturing module allows technological growth in the direction of real time scanning. |
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Light Source |
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LED’s are the open secret to the Steady Frame Universal Format
Scanner excellent lighting. The RGB LED light optimises the usable
colour space for post production.The illumination parameters allow any given film stock to be
repeated. The present strength of illumination is powerful enough for
25 fps.
Further advantages of the LED source are less heat development, low
power consumption and long life time. |
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Data Output |
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The final frame storage and optional compression is performed on a
remote PC using the the SteadyFrame Transcoder Software in order
to generate and save the frames in the preferred output format. Data
exchange (single frame wise) is performed via Ethernet.
The Transcoder Software supports well-established file formats, like
DPX 10bit, TIFF 8/16bit and CineForm Intermediate. |
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23900 |
SteadyFrame Universal Format Scanner 16mm / 35 mm
incl. Transcoder Software, easily to integrate into existing infrastructure (Windows 2000 / XP OS). Supported output formats: DPX 10bit / 16 bit TIFF 8bit / 16bit and Cineform Intermediate
Note:
Additional „Cineform Intermediate“ licensing costs will be charged extra
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25061 |
Filmgate 35mm |
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25062 |
Filmgate N16 |
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25063 |
Filmgate S16 |
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